Hong Kong Site

From the research of the Royal Opera House and Protestantism, I was very interested in the idea of multiple agents coming together to a sense of ecstasy: a "climax." 

This climax would be achieved by participation and activation by different actors: people, light, wind, and sound. A choreographed sequence with precise timing and control would be established to create a "performance" leading up to the "climax."

In the context of Hong Kong where a prominent axis or prescribed view barely exists, the architecture seeks to provide symmetry and alignment in a seemingly chaotic and complicated site. When actors are unaware of their participation in the choreography, effects produced would be meaningless. Yet, when actors actively perform and conduct their religious rituals and ceremonies, this symmetry and alignment would be gradually revealed until one achieves the climatic moment.

The effects I seek to achieve is an "immersed" environment, similar to that of a Gothic Church, yet surpasses it as the architecture is no longer static but plays a major role in the performance and responses to the agents acting upon it.


Selected Site: Lyndhurst Terrace, Central, Hong Kong

Intersection of Lyndhurst Terrace, Gage Street, Cochrane Street, and another pedestrian path from Hollywood Road


I was enticed by intersections of the streets, each with its own distinct characteristics, as well as the elevated walkway above. The complex and exciting site conditions reminded the concept that I wanted to achieve: the idea of symbiosis, coming together of diverse agents.

Possibilities of Effect: Immersed Views upwards

3D Model (in progress)

Plan

looking from west end of Lyndhurst Terrace

looking from east end of Lyndhurst Terrace

looking from Gage Street 

looking from Cochrane Street

*still unsure of which angle to choose from

Site Documentation

 Lyndhurst Terrace

Gage Street

Cochrane Street

Hollywood Road

Link to Google Maps:

View Larger Map